2026 Strategy & Objectives

I. The Inquiry: Shared Cognition & Narrative Futurism

My 2026 practice is a rigorous investigation into the intersection of human consciousness and the emerging intelligence of our era. Following field research at the Kennedy Space Center, my work has evolved into Futuristic Surrealism—a visual documentation of our return to the stars through the Artemis Project. I explore the "Shared Cognition" between the human observer and the "Next Intelligence," creating a bridge between terrestrial history and our cosmic future.

II. The Formulation:

Bespoke Material Chemistry

My practice is a convergence of technical discipline and narrative investigation. In my studio, every canvas is a unique laboratory where I develop non-identical technical recipes for every story I tell. Rejecting mass-production, I construct my 2026 works through a calculated layering of:

• Chromatic Hierarchy: An interplay of Transparents, Oxides, Cadmiums, Quinacridones, and Iridescents, ensuring an optical depth where light vibrates through multiple layers of history.

• Structural Architecture: The use of Marble Dust, Cold Wax, and specialized Alkyd mediums (including Liquin) to build both physical weight and atmospheric suspension.

• Narrative Mapping: The application of specialized pigments to map the "secret geometry" of the universe ($1.618$).

This technical precision ensures that each work is a singular, archival-grade asset—a physical embodiment of the tension between the grounded and the boundless.

III. The Asset: A Proprietary Legacy

Art is a dialogue with time, but it is also a Proprietary Intellectual Asset. By securing a work from the "Shared Cognition" series, collectors are participating in a finite narrative of the 2026 zeitgeist. These are not merely paintings; they are documented research into the physics of storytelling. As the Artemis mission progresses and our dialogue with non-human intelligence deepens, these works gain rarity and depth—maturing into enduring pillars of a new era in Canadian and International art history.

Three Pillars of my Research

Pillar I: Shared Cognition & Materiality

"In an era of digital expansion, my research focuses on the 'Material Trace' of human consciousness. Rather than a counter-point, I view my studio as a laboratory where Bespoke Material Chemistry meets the digital zeitgeist. By layering marble dust, cold wax, and transparent quinacridones, I create a tactile, physical field that documents our dialogue with emerging intelligences. This research ensures my fine art remains grounded in the terrestrial while exploring the ethereal dimensions of the 'Next Intelligence.'"

Pillar II: Canadian Interdisciplinary Residencies

"I am currently advancing my 2026 trajectory through applications to premier Canadian institutions that bridge the gap between Art and Science. My objectives focus on The Banff Centre, ArtSci Salon (University of Toronto), and KIAC (Klondike Institute of Art & Culture). These residencies allow me to engage directly with specialized landscapes—from the satellite research hubs of the West to the high-latitude atmospheric conditions of the North—to further inform the technical textures of my large-scale canvases."

Pillar III: Futuristic Surrealism & The Artemis Generation

"Through the 'Shared Cognition' series, I am exploring the profound shift in human identity as we return to the stars. My work moves beyond traditional abstraction into Futuristic Surrealism, focusing on the emotional and mathematical bridge between our terrestrial origins and our lunar future. This research explores how we interact with the 'Non-Human'—not only the vast physics of the cosmos but the collaborative intelligence of the Artemis era."

Material Integrity:

The Architecture of the Studio

In my practice, the choice of medium is as vital as the choice of subject. I view my studio as a research laboratory where traditional 17th-century glazing meets modern chemical advancements. By formulating non-identical technical recipes—incorporating marble dust for geological weight and thixotropic gels for structural precision—I ensure every canvas is a stable, archival-grade asset designed to endure as a piece of human history.

The Technical Directory

For Structural Depth & Geological Weight:

• Marble Dust & Impasto Putty: Used to build the "terrestrial foundation" of the work, providing a tactile, physical counterpoint to the infinite cosmos.

• Rublev Oleogel: A master-tier fumed silica medium that allows for buttery, crisp strokes that hold their shape, capturing the "frozen energy" of a moment.

For Cosmic Velocity & Atmospheric Suspension:

• Gamblin Galkyd & Galkyd Jel: These allow me to capture the "rhythm of the infinite" by speeding up drying times and creating luminous, enamel-like layers that suggest movement through space.

• Maymerry Clear Jel & ENL Mediums: Essential for controlling "viscosity" during the high-energy drafting phase of a new narrative.

For the "Universal Glow" & Shared Cognition:

• Schmincke Medium W & Cold Wax: Used to create unique, ethereal blending effects that represent the "shimmer" of non-human intelligence and consciousness.

• Winsor & Newton Liquin: My go-to for creating the Transparent Glazes—layering Quinacridones and Oxides to build the "Suspended Dimensions" of the cosmos.

For Archival Longevity & Narrative Permanence:

• Stand Oil, Walnut Oil, & Linseed Oils: These "fat" oils provide a luxurious finish, ensuring the painting remains flexible and vibrant for centuries.

• Professional Oil Ground: A high-tier foundation that guarantees the structural integrity of the "Shared Cognition" series from the very first stroke.