2026 Strategy & Objectives

I. The Inquiry: Shared Cognition & Narrative Futurism

My 2026 practice is a rigorous investigation into the intersection of human consciousness and the emerging intelligence of our era. Following field research at the Kennedy Space Center, my work has evolved into Futuristic Surrealism—a visual documentation of our return to the stars through the Artemis Project. I explore the "Shared Cognition" between the human observer and the "Next Intelligence," creating a bridge between terrestrial history and our cosmic future.

II. The Formulation:

Bespoke Material Chemistry

My practice is a convergence of technical discipline and narrative investigation. In my studio, every canvas is a unique laboratory where I develop non-identical technical recipes for every story I tell. Rejecting mass-production, I construct my 2026 works through a calculated layering of:

• Chromatic Hierarchy: An interplay of Transparents, Oxides, Cadmiums, Quinacridones, and Iridescents, ensuring an optical depth where light vibrates through multiple layers of history.

• Structural Architecture: The use of Marble Dust, Cold Wax, and specialized Alkyd mediums (including Liquin) to build both physical weight and atmospheric suspension.

• Narrative Mapping: The application of specialized pigments to map the "secret geometry" of the universe ($1.618$).

This technical precision ensures that each work is a singular, archival-grade asset—a physical embodiment of the tension between the grounded and the boundless.

III. The Asset: A Proprietary Legacy

Art is a dialogue with time, but it is also a Proprietary Intellectual Asset. By securing a work from the "Shared Cognition" series, collectors are participating in a finite narrative of the 2026 zeitgeist. These are not merely paintings; they are documented research into the physics of storytelling. As the Artemis mission progresses and our dialogue with non-human intelligence deepens, these works gain rarity and depth—maturing into enduring pillars of a new era in Canadian and International art history.

Material Integrity:

The Architecture of the Studio

In my practice, the choice of medium is as vital as the choice of subject. I view my studio as a research laboratory where traditional 17th-century glazing meets modern chemical advancements. By formulating non-identical technical recipes—incorporating marble dust for geological weight and thixotropic gels for structural precision—I ensure every canvas is a stable, archival-grade asset designed to endure as a piece of human history.

The Technical Directory

For Structural Depth & Geological Weight:

• Marble Dust & Impasto Putty: Used to build the "terrestrial foundation" of the work, providing a tactile, physical counterpoint to the infinite cosmos.

• Rublev Oleogel: A master-tier fumed silica medium that allows for buttery, crisp strokes that hold their shape, capturing the "frozen energy" of a moment.

For Cosmic Velocity, Futuristic Surrealism & Atmospheric Suspension:

• Gamblin Galkyd & Galkyd Jel: These allow me to capture the "rhythm of the infinite" by speeding up drying times and creating luminous, enamel-like layers that suggest movement through space.

• Maymerry Clear Jel & ENL Mediums: Essential for controlling "viscosity" during the high-energy drafting phase of a new narrative.

For the "Universal Glow" Consciousness & Shared Cognition:

• Schmincke Medium W & Cold Wax: Used to create unique, ethereal blending effects that represent the "shimmer" of non-human intelligence and consciousness.

• Winsor & Newton Liquin: My go-to for creating the Transparent Glazes—layering Quinacridones and Oxides to build the "Suspended Dimensions" of the cosmos.

For Archival Longevity & Narrative Permanence:

• Stand Oil, Walnut Oil, & Linseed Oils: These "fat" oils provide a luxurious finish, ensuring the painting remains flexible and vibrant for centuries.

• Professional Oil Ground: A high-tier foundation that guarantees the structural integrity of the "Shared Cognition" series from the very first stroke.

The Architecture of the Studio:

A Categorized Inventory

• My studio functions as an active research laboratory where the choice of medium is as intentional as the subject matter itself. To achieve the depth, structural integrity, and archival quality characteristic of my current works, I maintain a curated inventory categorized into the following domains:

  • Mediums: I utilize a diverse array of professional compounding agents which allow for precise control over viscosity, drying times, and surface tension.

  • Water-Based Materials: My laboratory includes a spectrum of water-miscible supplies, ranging from professional-grade binders to specialized cleaning agents and stabilizers.

  • Oil-Based Materials: Featuring high-pigment load paints and traditional oils, this collection serves as a bridge between 17th-century glazing traditions and modern chemical advancements.

  • Tools & Instruments: From precision droppers and applicators into professional brushes, spatulas, and surface prep tools in, every instrument is selected to provide the tactile control necessary for building physical depth.

  • Raw Materials: My research incorporates foundational mineral components—including kaolin, plaster of Paris, and various gums, to engineer the specific textural weight that grounds my work.

Research, Methodology & The Cosmos Series

Over the past two months, my studio focus has intensified, resulting in the compilation of 15 chapters of detailed research supported by 7 major experiments and extensive swatch testing. This methodology is not merely preparation; it is the engine behind the Cosmos series.

By applying these proprietary findings, I am ensuring that every canvas in this collection is a singular, archival-grade asset. Each piece ties the technical precision of material interaction to the broader narrative of "Shared Cognition"—exploring how our terrestrial origins evolve alongside earth and our return to the stars.

This research is currently being synthesized for a forthcoming technical manuscript, which will provide a deep dive into the physics of this project. I look forward to eventually sharing a visual look at these studio habits and categorized tools in action through an upcoming video showcase. Until then, I remain dedicated to the pursuit of the infinite, transforming these material experiments into the enduring pillars of the Cosmos era.